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Suggested reading and
resources |
The names of authors who are speakers at Italian Gems are indicated in bold type.
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Ariosto, M. Ludovico, Orlando
Furioso.
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Castiglione, Baldesare, The
Courtier, trans. By L.
E. Opkycke (Dover, NY 2003).
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Dosso’s Fate Getty Museum Exhibition catalog.
1999.
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Findlen, Paula, Possessing Nature: Museums, Collecting,
and Scientific Culture in Early Modern Italy (Berkeley:
UC Press, 1994); The Daughters
of Galileo: Knowledge and Desire at the End of the Scientific
Revolution (Berkeley, UC Press,
1998); and Merchants and
Marvels: Commerce, Science and Art in Early Modern Europe (New York: Routledge, 2001).
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Harrison, Robert, The Body of Beatrice (Johns
Hopkins University Press,1988).
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Martines, Lauro, Power
and Imagination: City-States in Renaissance Italy. (Alfred
A. Knopf, 1979) 236.
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Humfrey, Peter et al., Dosso
Dossi Court Painter in Renaissance Ferrara (The
Metropolitan Museum of Art, NY).
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Shemek, Deanna, Ladies
Errant: Wayward Women and Social Order in Early Modern
Italy
(Duke University Press, 1998) Italian
trans. forthcoming from Edizioni Tre Lune
“Of Women, Knights, Arms, and Love: The Orlando
Furioso and Ariosto’s Querelle des Femmes.”
MLN 104.1 (1989): 68-97.
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Simon, Kate, A
Renaissance Tapestry: The Gonzaga of Mantua,
(Harper & Row, NY, 1988).
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Starn, Randoph, Arts
of Power: Three Halls of State in Italy 1300- 1600 (with Loren Partridge). (Berkeley:
UC Press, 1992).
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Newcomb, Anthony, The
Madrigal in Ferrara 1579-97; Complete Works of Luzzasco
Luzzaschi (editor).
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Partridge, Loren, Art of Renaissance Rome: 1400-1600 (Penguin
USA, 1996); Michelangelo
the Last Judgment: A Glorious Restoration (Abradale/Abrams, 2000).
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Rabb, Theodore K., Origins
of the Modern West : Essays and Sources in Renaissance
& Early Modern European History (Princeton
University Press, 1993); Renaissance Lives (Basic Books,
2000).
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Schiff, Bennett, “Dosso
Dossi: A Renaissance Artist Comes to Light”, Smithsonian,
January, 1999.
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Vasari, Lives
of the Artists 1550—many editions.
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Woods-Marsden, Joanna, Renaissance Self Portraiture:
The Visual Construction of Identity and the Social Status
of the Artist. (Yale University
Press, 1998).
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